Showing posts with label Week 14. Show all posts
Showing posts with label Week 14. Show all posts

Wednesday, November 19, 2014

Week 14 Storytelling: The Failed Revenge of Joukahainen

Väinämöinen blinked as one arrow whizzed past his head. Was there a hunt nearby or something?
The sound of another arrow reached him, but from the loud thump it made Väinämöinen assumed the arrow had hit the ground. Very strange. If it was a hunt, the men were absolutely terrible. They weren’t likely to bring food home tonight.
A spark - a sense - just the slightest tingling of forewarning - but Väinämöinen didn’t think there was anything really worth noting around that could possibly -
OW!

Joukahainen let loose a triumphant cry as the older man went tumbling down from horse and fell into the waiting sea below the cliffside. He had done it! He had shot Väinämöinen right in the shoulder, the old sorcerer was dead!
“This is the penalty for humiliating me, old man!” Joukahainen cried out. “And for the vile attack upon my sister, which led to her untimely death!” He hopped off his horse and strode forward into the road, holding his trusty bow high. “I, Joukahainen have defeated you here upon this plain! With bow and arrow I have slain the most powerful sorcerer to ever live!” Letting loose a loud laugh, Joukahainen threw his head back to crow to the sky, “No one shall ever beat me again!”
Another laugh was halted in its tracks as thunder rolled across the sky. Joukahainen looked about in confusion, watching as lighting joined the rolling clouds. What in the world - ?
A boom was heard, and Joukahainen jumped, spinning about to look at the source of the noise. There, over the side of the cliff, safe and sound was Väinämöinen. The sorcerer was alive!
“How?” Joukahainen cried out in disbelief. “I shot you with my bow, you fell into the sea!”
Väinämöinen didn’t even blink - gave no reaction from those glowing, luminescent eyes. They throbbed with power, as did his cloak and limbs. The wind whipped about him and tousled his hair, physical evidence of the great well of sheer power within.
“Are you the one who fired that arrow,” Väinämöinen questioned with a tilt of his head.
“I killed you!” Joukahainen protested, grabbing for another arrow and notching it. “This time for sure I’ll -”
Joukahainen made a choked sound, and then fell to the ground. The bow fell from limp fingers as the last breath left the body.
Väinämöinen floated back down to safely plant his feet upon the road, the wind dissipating and the storm dying out. With barely a thought the wound upon his shoulder was healed, and Väinämöinen shook his head to clear it. What had he been doing again? Oh yes.
Väinämöinen mounted his horse and resumed his trek west.

Gif from wifflegif)


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Notes: So, in the Kalevala the young Joukahainen challenges the older and more powerful Väinämöinen, who defeats him. To save his life, Joukahainen barters his sister in marriage. His sister hates the idea and kills herself, so Joukahainen seeks revenge. In the actual epic, he shoots Väinämöinen in the shoulder, and Väinämöinen falls into the sea and spends the next several bits sobbing and being a useless whiner-baby. I thought it should go more like this, for reasons explained in my essay.

Bib: "Joukahainen's Revenge" from the Kalevala compiled by Elias Lonnrot in the 19th century, author unknown or various.

Tuesday, November 11, 2014

Week 14 Essay: The Problem with Mages


So, I did the Väinämöinen reading this week, and I loved it (epic poetry not in prose - yay!) but I found myself running into the same old problem again:
If you’re this all-powerful mage, why don’t you just mop the floor with everybody?
See, this happened in a BBC show called Merlin, too. It’s a great, very cute little retelling of the Arthurian legends where Arthur is still a prince, Uther has outlawed magic, and Merlin becomes the manservant of Arthur. He’s informed by a dragon of his destiny to serve Arthur and protect him so he can become the Once and Future King and return magic to the land, and eventually the two become bros. But while the show ends its first season with Merlin basically getting power over life and death itself (within some rules) that’s basically as epic as it gets. Oh yes, Merlin has some other fantastic moments, but they’re not nearly satisfying enough. It’s either Merlin alone with just the bad guy in a cave, or being secret so no one knows he saved their butts, or Merlin is disguised as an old man.
Like, no. Just no.
I want an all-powerful mage who is also one bad ass mother fucker. I want him to look at a field of enemies and just go - “hah, right, later” and call fire down from heaven to decimate the field and destroy all his enemies.
Okay, I understand that someone who is all-powerful all the time with no conflict makes for a boring story. But come on! If you tote the main character as the most powerful sorcerer to ever walk the earth, he shouldn’t get taken out by an arrow to his shoulder. Not even near his heart! Instead he falls into the ocean and can’t save himself. Really? I understand adding drama and conflict, but completely ignoring the canonical facts about your character in order to do it - without any stated legitimate reason - is just infuriating.
There is nothing wrong with a character who blows through the opposition every now and then. Nor if he does so on a fairly regular basis. Heck, that’s all Liam Neeson’s character does in Taken, and that movie was highly successful!
I just want my characters who have badass potential to be badass, is that too much to ask?

(I just really love Merlin okay guys? Web source: rebloggy)

Wednesday, November 5, 2014

Week 14 Reading Diary: Kalevala: Vainamoinen

Reading Diary - Kalevala: Vainamoinen

  • Joukahainen and Väinämöinen
    • Are the songs how they do magic?
    • OMG, it’d be fun to do a nerd version of this listing of facts
      • Star Trek vs Star Wars, lol
      • or original vs reboot
    • J sounds like he’s reading off an encyclopedia for dummies
    • This is probably a big teaching song so kids can learn their history
      • story idea - bard school, kid asks why they sing this one
    • Songs are how they do magic - neat
    • Seriously, what do you offer a mage who can obviously do anything he wants with a little magic?
    • Good God, you can just promise your sister to save your own life? Ugh, men!
    • Okay this girl is vain and stupid, Momma’s got the right idea
  • Väinämöinen and Aino
    • Random voice asks for adoration, I would have run too
    • Probably wouldn’t have sobbed all day about it, though
    • This girl is ridiculous - if you have to have an arranged marriage, an old guy who will die soon to leave you a wealthy widow is ideal
    • …. she killed herself because of this. Brat.
    • “Since I heard the cuckoo calling” sounds like a great title for something
  • Väinämöinen Goes Fishing*
    • fishing for a bride, that’s a new one
    • She… certainly changed her tune quick. Guess being a fish teaches you life lessons (or she finally got the brat slapped out)
    • The only people with sense in this epic are the mothers
  • Joukahainen’s Revenge
    • You’re gonna try this again? Really?
    • Singing for a good shot is a funny notion, but doesn’t appear to have worked
    • Don’t brag - gosh you sound like Paris right now
      • Paris basically shots people on accident while hiding behind a pillar then jumps out and goes ‘hah! I hit you! Got you sucka!’ That’s why he manages to kill Achilles - he’s a bad shot who gets lucky and hits the only vulnerable part on Achilles
  • Väinämöinen and the Mistress of Pohjola
    • What happened to all-powerful mage? Like dude, call fire from heaven or make sea turtles carry you or something!
    • Oh no, not the plot-point eagles!
    • Oh God more crying. Why do epics always have such large amounts of sobbing?
    • Aren’t you a mage? Do a Point-Me!!!
    • Oh how the tables have turned
    • Also, why do you want to go back? Things weren’t going so well there
    • I feel a shield of [insert hero] ekphrasis coming on here
  • Forging the Sampo
    • Oh look he can do magic again. Is it a local thing?
    • …. you never saw the daughter. Excuse me sir, I’m calling bulshit
    • Golden girdles sound painful
    • If his is the only smithy around, he’ll never be out of business
    • That sounds like a very dangerous workplace
    • Did he get the girl? Did he not? Is that what the next one’s about?