Showing posts with label Week 2. Show all posts
Showing posts with label Week 2. Show all posts

Thursday, August 28, 2014

Week 2 Essay: A Not-So-Golden Unit

The unit Cupid & Psyche was an alright one. The myth is not often told except in classes on classical mythology, but it was still rather boring to me. The tale has bits and pieces of a hundred other myths and fairy tales (the mysterious lover, jealous sisters, the tasks to regain love lost, the journey to the underworld, and the box you can’t open, just to name a few) and isn’t told very differently than such tales normally are. The writing wasn’t as exciting as I thought it would be either - although that may have just been the translator. I’ve been hearing about the wonderful snark and sarcasm but I found very little of it.
The frame story of The Golden Ass was more interesting. Especially since this is obviously just an excerpt from the middle portion of the tale, so you had to figure out what was going on. Why did he get turned into a donkey, how did he return to normal? You had to look these questions up yourself, and those are the fascinating parts of the story. Lucius was an interesting character, and he seemed like a really snarky guy. I got the sense that he was a poet, and just found myself really fascinated by his character. I wanted to learn more about him.

(Bruno Pelletier as Gringoire)

Everywhere the main tale failed to thrill me, the frame story made up for it. Lucius was by far more interesting than Psyche, and I would have liked to have read more story with him and his actual adventures than the tale of two stupid lovers. Perhaps if this unit became more about The Golden Ass than Cupid & Psyche, with bits and pieces from Lucius’ adventures it would be more exciting to read. Then again, I’ve had a whole semester of Greek Mythology and studied fairy tales in several classes, so I could just be spoiled. Or to be perfectly honest my expectations were higher, considering I spent a whole semester reading Hesiod, Homer, and Virgil. It wasn’t a bad story by any means, I just found it boring.
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Image info: Web Source. Screenshot of Bruno Pelletier from the Canadian-French musical  Notre-Dame du ParisWhen I thought of Lucius as he longed for pen and paper I immediately thought of poets, and this is the image that came to mind. This musical is taken from the book which inspired Disney's The Hunchback of Notre Dame. Unfortunately, Disney neglected this character, who in Victor Hugo's book is the only happy one at the end (then again, it is Hugo we're talking about). He's a poet who basically fulfills the role of narrator. He also is a starving artist (hence why when the Renaissance happens at the end he's the happy one) who winds up married to Esmeralda in name only in order to save his life. He's a very fun character who reminds me of Lucius and the more I think of it the more they correlate. 
Here's his one of his best songs: Temps de Catedrali  

Sunday, August 24, 2014

Week 2: Storytelling

Lucius rode far and fast into the night. But eventually the best bred horses run out of strength - much more so for those who are little more than a tired and beaten ass. Fear was a wonderful motivator, but he was so tired. Of fear, of running, of hurting, of being out of his own skin!
The stolen bride atop his back pleaded him to continue on, yet he slowed and hoped to show without words he could no longer speak that he was unable to go on. Miraculously, she seemed to understand him for she then spoke words of a different tune, “I believe there’s a cave to the right - we can hide there.”
Thankful beyond words, Lucius adjusted his path accordingly. He had to tread carefully among the stones, but the path was relatively clear and soon they were at the cave. The lady slid off his back and Lucius plopped to the ground in sheer ecstasy. Finally, a moments rest!
The bride looked at him with her kind brown eyes and tilted her head to the side. “You’re a strange donkey, you know that?” she questioned.
Lucius couldn’t help but to snort in reply. Lady, he thought, you have no idea.
The girl’s eyes widened, and she drew in a sharp breath before questioning, “Can you… understand me?”
With a roll of his eyes, Lucius jerked his long head affirmatively. Gods above, could she just let him sleep? His answer seemed to shock the woman into silence - good - and the tired steed was nearly in that wonderful land of morpheus when a small voice asked timidly, “If I said I could help you, would you allow me to?”
Wishing he had the vocal chords to groan, Lucius made himself pay attention. It was a little hard, what with that gentle hand stroking his mane in such a loving manner. She really had nice hands, he mused, and it was the nicest attention he’d been given since having to shed his true skin. But he managed to open his eyes and stare at the woman - a clear indication for her to go on.
With a slightly sardonic smile, the stolen bride explained herself. “No doubt you found it odd that the bandits went straight for the bride as a ransom instead of taking the plunder all around, did you not?”
Well, now that she mentioned it, that was rather odd. Granted, those bandits weren’t quite touched by Minerva’s wisdom, but still…. huh. Lucius saw the girl was waiting for an answer, and so snorted his agreement. He was still too tired to so much as nod his head. He was just going to lie here long as he was able.
With a slight chuckle, the girl tousled his mane lightly before resuming her earlier calming motions. “I come from a land far to the north, conquered during Caesar's campaign. I was only a very young girl, but I can still remember the clatter of hooves and the ferocity of the legion’s might.” With a pause for a slight shudder as memories overtook her, the young woman continued. “My father allied himself with young Caesar, and through service in his army gained citizenship for our family. We then moved out here, where I met my young fiance.”
What did that have to do with anything? Lucius let out a soft whinny in confusion - she hadn’t cleared anything up! Oh how he wished for human tongue again, that he might question her properly! If only this curse was broken as easily as striking two snakes.
The young bride sensed his impatience and giggled. Then becoming still, she leaned in close and met his eye with her own mischief-filled two. “The bandits heard of our family gift,” she whispered, “given to us by the gods of old up in the north. Our true, primal gods born not of woman but of Fire and Sky. They would eat your Jove for lunch.”
Okay, Lucius figured that was enough resting. He wanted to be as far away as possible when lightning struck down. He was a pretty good follower of Apollo, but considering the god hadn’t done much for him in a long time now was probably a good time to start fleeing again. He’d just get his feet under him and then -
“I can remove your curse.”
Risen with one foot ready to turn and bolt, Lucius paused. He looked at the stolen bride - no longer a crying, wailing mess. She stood confidently, full of power and poise. If he hadn’t known better, Lucius would have sworn she was a goddess.
“I cannot regain my family’s gift without devouring magic,” the bride informed him. “Your priests have sway enough for that. If I remove your curse, it will free me of mine. Will you do me this favor, strange donkey?”
Lucius wanted to say he thought hard about this, but in all honesty the choice was fairly simple. Help himself and a damsel - it seemed an easy solution. So he nodded, ready to be a human again.
The young bride stepped closer, placing her hands gently upon the sides of his face, and breathed inwards.
Just as Lucius felt himself shifting from four legs to two, he watched in dawning horror as reptilian scales broke out upon the bride’s fair face. They spread like a fungus as her form expanded in bulges and bumps, her neck elongating as teeth sharpened and ears pointed. From her longer spine a tail emerged, and there was a mighty tearing as two great leathery wings burst forth from her broadened back.
Standing fully human as claws cradled his head, Lucius found strength in trembling limbs and ran from that cave. The bride turned monster let loose a roar that shook Olympus itself, and as he fell to the ground outside Lucius looked up to see a mighty beast take to the sky in a plume of fire.


(Gif by sucker-punch-xo)

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Notes: So the main thing that bugged me in my reading this week was the fact that in the frame story the bandits ignored all of the goods out and about on the actual day of the wedding but kidnapped a bride because "they couldn't find anything". Like, really? What kind of incompetent idiots are you? Not to mention according to the bride's version they came straight for her on a mission. So I attempted to explain that, adding in some stuff I learned in my Ancient Art of War class. We learned a lot about Julius Caesar, and I added bits of that in here. He led campaigns all the way up to Britain, and fought against the Gauls many times. He also allowed natives of the conquered lands to join the army, and if they stayed on for a certain time period they were given citizenship in Rome that extended to their families as well.
So I made the bride hail from a Gaelic tribe, though they immigrated while she was little (thus keeping in tune with the established backstory she gives). But considering the Gauls were very like Druids in their worship I decided to add in dragons. Mainly I just thought it'd be cool to have her turn into a European dragon. Rome is a bit too far south for the mountain dragons in normal medieval fantasy, so she is rare and thus the kidnapping and ransom. Also explains why Lucius has no idea what she is.
Also, to explain the abrupt change in her demeanor: when I read the story she reminded me of Helen of Troy. Helen is manipulative and allies herself to whoever will profit her most, and in the girl's incessant wailing attempts to get sympathy from the old woman the bride reminded me of that. So she's much less helpless damsel and much more powerhouse in my tale.

Bib: Cupid & Psyche by Apuleius (before 158 AD) translated by Tony Kline. Web source: Cupid & Psyche

Friday, August 22, 2014

Week 2: Cupid and Psyche

Note - my notes are a little strange. After having to write so many for so many different classes (often while sleep deprived and with more readings due soon) I've developed an odd style heavy with sarcasm. This is actually how my notes looked in my Ancient Epic Poetry class, with Homer and Virgil. Plenty to snark at there. But It helps me remember the plot and characters though, so whatever. Just thought I'd explain so no one was completely taken aback - I know it's a rather odd way of doing it.

Reading Diary Week 2 – Cupid & Psyche

  • Is the main guy man or horse? Oh, a dude, but is he a captive or a tag along?
  • Wow, poor nameless girl.
  • It’s a wedding but the bad guys couldn’t find any loot? Yeah, right.
  • Ugh, that dream sucks.
  • This is all reminding me of Helen, especially with the sly way the captive is endearing herself to the old woman so easily.
  • Frame story time!
  • Oh look, 3 sisters trope. Fairy tale time
  • Oh no, don’t do that. Did Clash of the Titans teach you nothing? Don’t compare women to goddesses – it always ends bad
  • Troy already happened? Oh yeah, you should definitely look out. Despite not being born from Juno, Venus sure is like her.
  • Cupid, cute and happy? Um- NOPE. These violent delights have violent ends and all that – Rick Rordan certainly hit that nail on the head.
  • Psyche – that sounds like such a terrible name. Wonder if she ever got mocked?
  • Uh oh, child getting revenge for Momma on a mortal? Sounds an awful lot like Leto to me, and that sure ended badly.
  • Yes yes, Venus is lovely, move on please.
  • Never ask Apollo’s oracle – things always end badly
  • Oh she’s gonna pull a Loki and birth a monster, awesome. Things are so totally looking up.
  • Oh she has backbone – that’s great. Love a heroine with spunk.
  • Abandoned on a cliff – because that’s not stereotypical at all.
  • Oh yay, descriptions of wealth. At least this guy doesn’t ramble on as bad as Homer can (God that man can talk).
  • Went from Roman to Beauty and the Beast. Okay then. Odd.
  • Pfft. Nature dictates that after being bedded a lot – even though you could classify it as marital rape – she grew to love it because women are base, sexual creatures. Hey look, antiquity and early Christian England shared some things in common after all.
  • Don’t look – anyone else thinking of the hero exiting the underworld with his wife?
  • This is going to go so badly. Stupid women, geez. Couldn’t you have just sent a letter? Like seriously.
  • Hmm, wonder if Neptune and Pluto ever went on rants like this, Jupiter is the youngest son after all. Oh well, Pluto probably doesn’t care either way. In the actually myths he’s very apathetic like that. He only ever gets like one mention in the entire Iliad after all – and that only when the earth shakes so much he’s worried it might fall and crush the underworld.
  • Thank God I have no sisters.
  • You can't look! Anyone else thinking Semele, mother of Dionysus?
  • Aren’t you a god? Like seriously, just bar them from your home.
  • Well at least she’s mainly thinking of the child. And it’s the Furies fault – makes more sense. But goodness, her sisters are cowards.
  • Oh look, from Cinderella to Sleeping Beauty. That’s 3 fairy tales, we’re on a roll
  • Oh wow, way to go Psyche! And did I mention how stupid the sisters are yet? Because they are. SO. Stupid.
  • Oh yeah, let Juno and Ceres give counsel on proper punishment for this – because that’s such a good idea and going to work so well.
  • Good call – Greeks believed if you ticked off just one god, you were screwed for life. Romans kinda went the other way though, thinking you just needed on solidly in your corner and then after that who cared about the others?
  • What? What are all these reasons? You liars, I’ve never heard of those rules before! Thanks for all the help guys. I can see you really pity Psyche.
  • Well that search was over quick.
  • Now we’re getting into tasks – more fairy tale stuff!
  • Yay ants, they’re often very helpful in these tales.
  • Oh no, not the golden sheep! That never ends very well for someone
  • Oh look, she finally learned her lesson about good advice
  • Snakes on the Styx - sounds slightly Dante now
  • Oh, very clever bird, very clever indeed
  • Inanimate objects speak a lot in these kind of tales
  • Dogs eat barley cake now, okay…
  • Oh no, you were doing so well!!! Don’t do it Psyche! Opening a jar you’re not supposed to never helps, did Pandora teach you nothing?
  • At least Cupid is helping out, she caught a good one
  • Oh yeah, like your slut-ness is Cupids fault. Keep telling yourself that Jupiter
  • You slandered me with adultery – I’ll help if you give me a girl prettier than yours. Wow. Way to show your true colors Jove
  • Huh, well that one ended pretty well – I’m surprised.
  • Back to the frame story, yay!
  • Lucius is apparently a poet, nice
  • Oh, he IS a horse. Okay then. (Or Donkey, whatever)
  • Wait, he’s a man turned into a donkey?
  • And they ride away into the night, and live happily ever after. Yay fairytales.